Discussion about this post

User's avatar
Simon Dillon's avatar

My views on Superman and Superman II are well documented (in Fanfare, as it happens). With Superman II, my ideal version would be an edit that take some elements of the Richard Lester cut and some elements of the Richard Donner cut. The idea that Superman cannot sleep with Lois until he gives up his powers is inherent in the Lester cut, but in the Donner cut he sleeps with her before he does that. Frankly, that never made any sense to me. Why give up your powers? Just defy dead Daddy (the Donner cut features Marlon Brando again, rather than Suzannah York), marry Lois Lane, and keep your powers. No need to give them up. But the Lester version meant he had no choice but to give up his powers if he wanted to make use of that conveniently prepared sex bed you mention (how the hell did it get there is an excellent question). :)

Expand full comment
Kristina Pulford's avatar

I recently watched both the new Roadhouse with Jake Gylenhall and the original with Patrick Swayze. I’d love to hear your thoughts on how the two compare. For me it’s a bit like competing Tim Burtons Batman and Nolans Batman, barely the same story with completely different purposes. Anyway sorry to go off on a tangent on your story lol

Expand full comment
3 more comments...

No posts